Working on location in the United Kingdom, Iceland, Jordan, and Maldives, and on stages at Pinewood Studios outside of London, England, Corbould explained that huge proportions of Rogue One’s major set pieces were done practically, on camera, during principal photography. Sets become more expensive to do as you go farther back.” The easiest thing for an art department to build foreground. There’s always this – the farther away from camera the better off you are with visual effects. I’ve had great relationships with physical effects supervisors-we work well hand-in-hand. “I don’t feel particularly proprietary,” Knoll said of choosing one type of effect over another to recreate beloved visual icons now four decades in the past. As Knoll explained, this meant working in tandem with Hickel on computer-generated animation and Corbould on floor effects, created on set. Directed by Gareth Edwards, Rogue One imagines the events leading up to the first moments of the initial 1977 film Star Wars, dictating that everything from starships to planetary environments to art direction had to ring true for fans while still maintaining the distinct qualities of a new project.
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